The original structure of what is now called Seven Hills Inn was once a small farmhouse built in the mid-1700s by early Massachusetts colonists.
In 1885 the Robert Chapin family vastly enlarged the dwelling and named the new estate "Norwood." It was one of the first grand "Berkshire Cottages." In 1904 another Berkshire cottage was built next door by a rising novelist, the royalties of her first best-seller used to support the construction. The novel was called "House of Mirth," and Norwood's new neighbor was Edith Wharton.
Isadora Duncan
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In 1911 Bostonian Emily Meredith Read Spencer, a blue-blooded descendant of the famed Puritan William Bradford agreed to move to the Berkshires at the behest of her husband, a descendant of one of the founders of Stockbridge. Emily Spencer wanted to build her own estate but feared, at the "ripe age" of forty, she wouldn't live long enough to see its completion. Instead, she chose Norwood and undertook extensive renovations. Importing staircases from England, fireplaces from France and columns from Italy, Emily Spencer doubled the mansion's size and renamed it "Shipton Court." In addition to the architectural details of her legacy, Emily Spencer's initials are still proudly in evidence above the door to the inn's entrance.
For forty years Shipton Court and the Spencers were a vital part of Berkshire grand society. In his book, THE LAST RESORTS, Cleveland Amory wrote of the eccentric Mrs. Spencer and her beloved piglet, Rosie, who ran free in the parlor amidst the invited guests, one of whom was Isadora Duncan.
Former Seven Hills owner Sophie Howitt greets Leonard Bernstein
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In 1951 New Yorkers Larry and Sophie Howitt bought Shipton Court, renamed it Seven Hills and converted the grand mansion into an inn in order to cater to the musicians and music-lovers of Sophie's beloved Tanglewood. By the Sixties renovations were completed and frequent guests included Leonard Bernstein, Beverly Sills, Seiji Ozawa, and Dave Brubeck.
Young Seiji Ozawa at
Seven Hills
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One by one, each room is getting a make-over with an eye toward maintaining the original details of the Gilded Age mansion while bringing in the comforts of modern hospitality. |
